Hi I am writing to you today about a popular musical genre that was introduced to me at a very young age and it is called Acid Rap, it is a term made famously by Detroit Michigan USA rapper Esham A. Smith. He is a hard-trodden native of Detroit Michigan, and apparently happy and successful in his own way and ability. What exactly is Acid Rap? you might be thinking. Acid Rap is a very specific and detailed and determined undermining of societal and social failures. To be more specific, think of Suicide as the occult, satanism, suicide, and other well-known taboo subject matter. This is the kind of subject matter you are dealing with when listening to his appropriately titled Acid Rap music. Stylistically and mastering and mixing Esham is very gifted in his unique ability to expose and examine the aforementioned subject matter. So this is my unique take away from the Music I am presenting to you today. I myself am a Ukrainian-born American, in Lansing Michigan. I want to hear your opinion of this music, it will help me develop myself and my writing.
I am rarely impressed or excited about a death metal band, so this comes as a surprise after hearing Japan’s Shinda Saibo No Katamari! did I say that correctly? a 3 piece who in their own words play “Brutal Death based technical riffing with complex song structure but keeping super brutality.”. Nothing is further from the truth upon initial listening. Here we have a banquet of sounds that comes off as very organic and authentic. The drums hit hard and the riffs are fierce. And fuck the vocals are beautifully guttural and complete! This may be my take for the Death Metal release of 2019. My hats off to you.
When I think about current bands that epitomize the true nature of black and death metal music, I hold a special place for bands like Embrace of Thorns, an establish band from Greece. I was inspired to conduct this interview after repeated listens to their new release “Scorn Aesthetics”. A dark gripping, almost depressing and sometimes painful listen. And after reading through the responses here I find that I wasn’t necessarily fallen from the mark. During this interview process they were just finishing up a U.S. tour.
If there is one thing to appreciate considering this primitive form of music, it is the work ethic and devoted interest in this music. With all this said, I hope you will enjoy this brief but entertaining interview. I once again thank Embrace of Thorn for taking time to speak with me. Just a lowly no-name metal head from Michigan.
Tell me what is the underground metal scene like in Greece?
It’s been increasingly better during the last decade, there are shows every week and lots of quality recordings coming out. Well it’s my big dysfunctional family, I tend to loathe it but I am unable to do without it. It carries the analogies and pathologies of every scene but it’s better than it was in the early 2000s.
What were your inspirations with Scorn Aesthetics?
Calculated ,cold , desperate, comforting scorn against pretty much everything . It’s a rude awakening thing and a realization that change is not likely to come. So what we are left with is to fortify our own little strongholds . So strife has now another meaning , to barricade our precious world and not succumb to conformity and to the unified vision of the modern blindfolded man, a nihilistic irony…
Your music is very raw and primitive, a semblance of death and black metal. Angry and primitive, you even included (used exceptionally well) samples from the Jonestown Massacre. Please tell me what your worldview is in regards to living, basically what encourages you to continue on in this life?
There is no unified worldview,but a rather tribal, dare I say atavistic need for preserving what fulfills our lifecode and inner needs. No edgy stuff here rather than a defiant philosophy and a hunger to reap the fruits of inner strife in times of conformity, that “encourages” us to move on. We ve been saying pretty much the same stuff since 2009… but some lyrics for an upcoming song briefly encapsulate my standpoint.
“Humanity is a cancer and tumours have been long devouring its marrow,All mechanisms of defense seem to have failed and there is no room for reversalThe end of this disgraceful travesty is nigh , this sick animal must be put to sleep.I dream of pallbearers and endless funerals, a rather pleasant interval to this misery incarnate.I dream of ravens croaking and vultures circling…I dream of heartbroken mothers, of their pale wrinkled faces ,of eyes blood red and self inflicted chest wounds.Let the deceased sons of failure be baptized in a pool of rotten blood…Let them dismantle in an eruption of disproportionate proportions…Mourning for what should have happened ages ago is pointless…For the threads and the fabrics have been long ago torn… And Rightfully the Filthy vermin brought the black plague forth …”
Can you give me a brief idea of your current band formation? are you all close friends? I am sure you all have employment and side jobs to support yourselves to play this kind of music.
We are comrades,partners in crime, brothers from different mothers. Members with own agendas have no place in EoT. One must either unconditionally surrender himself to the glory of darkness impenetrable or he won’t last. The Scorn Aesthetics line-up is the quintessential EoT line-up
Current music that you are enjoying?
the new DECEASED album, new DEATHHAMMER,COMMUNION,WITCHCRAFT(Fin), DEATHLY SCYTHE,AIMA,the new ARCHGOAT,last NECROPHOBIC album that’s what I’ve recently enjoyed
Current films, books you are enjoying?
Tons of them but nothing that has impacted EoT lately.
My interest in metal of Greece started with Dead Congregation. Are you at all associated with them? or friends?
Yes we are, we can call them close acquaintances,even friends, AV even used to play for EoT from 2009 til’ 2012, he recorded “praying for absolution” with us and remains someone we hold dear. DEAD CONGREGATION are very dedicated persons and deserve all the support they have gotten through the years.
Do you think Friedrich Nietzsche would listen to death/black metal? (assuming he was alive today)
I guess he would rather listen to some very brooding classical pieces…
Can you tell me more about Chants of Atomic Genocide and the label Kill Yourself Productions?
The zine is dead and the label in hiatus,there are no hopes for a revival of the zine ,as for the label time shall tell. The scene is something that I hold in very high esteem and I don’t want to do the label thing if my heart is not into it 100%, at the moment there is no possibility to be more active with the label, but I think the impact of what I have released has been big enough. My goal was to create something in the vein those very dedicated 90ies labels, that provided an outlet for underground expression wrapped in a very limited anticommercial framework. I have been let down but I have also reaped great rewards through my course in Kyp. Truth is however that the underground is a whole different beast nowadays and I don’t have much left in the tank anymore ,so as to keep on soldiering through it forever. If I am to go through the motions in order to do it,i’d rather not do it at all.
Kill Yourself Productions – Encyclopaedia Metallum: The Metal Archives
I think that is all I have got for you. I want to thank you in advance for this opportunity, and honor of speaking with you. Feel free to include any promotional information or closing words. I will do my best to get the word out about your band and music.
thank you for the interview…
Please support these musicians and their pursuit and vision. They are incredibly hard working, and what great guys to take the time to answer some questions from me.
Okay a bowl full of shit is a bit too tame, lets up the ante and present to you a face smashed in. Jesus, I can’t stomach much more of this. Herein is the internal dialogue one will be conflicted with upon initial exposure to the band Pissgrave.
I question my mental stability to review death metal honestly anymore, especially when gimmicks are at the forefront. If the aforementioned is to deter otherwise unintelligent and ignorant music, than I guess I should be cheering them on.
Here we have a track from their second full length release “Posthumous Humiliation” out March 01, 2019 on Profound Lore Records. I record label that has a reputation for putting out some highly esteemed music, ranging from a broad array of genres.
For the uninitiated who didn’t have the pleasure of hearing “Suicide Euphoria”, this track alone will keep you to pace with their brand of dirty and brutal angry death metal. Unhinged on conventional formulaic brutal death metal. They rely on strong melody and downright distorted buzzsaw guitars not to be confused what bands from Sweden were doing.
All this being said, this track alone doesn’t necessarily represent anything new to the table. But I do admit after hearing their last release a lot was to be desired, their music does have a place in the genre, and I am excited to hear the full length.
How do I start this without sounding cliche or gimmicky. Sorry fresh out of ideas, I will just proceed with sharing my selective albums of the year 2018. Most if not all are in the death and black metal genre wise.
I am going to start the list off with what is arguably the best metal album of 2018, this alongside Corpsessed, should satiate any death metal fans hunger. This is a dark depressing ride, played in death/black metal fashion. Embrace of Thorns hailing from Greece are proving alongside Dead Congregation to be the capita’ of performance in this genre of territory. The samples of Jonestown and accompanying onslaught just leave a dark miserable hole in your chest. https://embracethorns.bandcamp.com/
Seeing as I mentioned Corpsessed above, it is with no wonder that I am including them second on this list. Here is a band I had the privilege learning about a few years back with their debut full length, “Abysmal Thresholds”. Following in the similar vein of their earlier work they are delivering dark/death metal. Harmonious and chaotic elements still remain witch are catching my ears attention. If you have not already heard this band, I would highly recommend you pick the new release. https://darkdescentrecords.bandcamp.com/album/impetus-of-death
Here is something new and disastrously effective. Chaotic as hell, with little availability for interpretation. But where this release shines is in its dark foreboding elements catching any listener off guard and prepared to pay attention. This is hardly initiatory death metal mind you, this release will do anything but hold your hand, you have to sit and listen for prolonged periods to hear its redeeming quality’s. https://infernalcoil.bandcamp.com/album/within-a-world-forgotten
Short and sweet and to the point. I didn’t get a chance to hear as much new death metal this year as I would have liked. But I am happy with the progress this genre of music is going through. I think the greatest beauty of death metal, is its ability to let you lose yourself in thought, once you let go of any distractions in your mind, that my friend is when you will hear the beauty.
I was given the opportunity to review this release, and I am feeling a bit privileged after hearing their material. Seversun is a 3 piece from Russia, playing what is definitely progressive and groove oriented, it mixes together many elements to be precise. I was a little bit apprehensive when I noticed in their Metallum profile being categorized as a metalcore band. Not that I am particular dissuaded by the genre, but I tend to steer away from anything “core” influenced. I am happy to say, that these guys keep the metal at the forefront.
The cover threw me off a bit, I was initially thinking they were a stoner/doom band, something about that cover yells stoner/doom to me. I guess it’s kinda psychedelic in appearance. The music here, as I said earlier very groove oriented while relying on melody to carry out songs. The vocals are rough and mix together some cleaner vocals. To me it works. There are some really nice lead guitar work on this album, I like the melodic elements. I also appreciate the bass work done on this album. This album mixes together a wide array of instrumentation, including piano pieces. The drumming on the album sounds very digital and unauthentic, that’s one of my only gripes that I have with the album.
Overall a solid piece of metal here, after several listens I’ve found myself remembering the catchiness of the album. If you’re in the market for something new and creative give this album a chance, it’s pretty solid musicianship and some memorable material. Plus as a Ukrainian American, I am all about supporting a Russian metal band. But that is irrelevant anyway!